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Exhibition "ALTERED LANDS"
28-31 July. 2022 at Kunstquartier Bethanien Studio 1
https://othergrounds.org/altered-lands
Monstercall
24th(Date changed) July. 2022 at Strandbad Tegeler See
Exhibition & Performance at ZKM, Karlsruhe, Germay
"next_generation 9.0"
Wed, 22.06.2022 – Sat, 25.06.2022, ZKM | Center for Art and Media
In addition to the lecture program and the evening concerts, the ZKM Hertz-Lab presents all-day installations by students of the participating university studios for electronic music. All installations are located on the first floor.
Installations:
Udk Berlin
Wed – Sun June 22 – 25, 2022
Location: ZKM langes Studio
- Haku Sungho »Sway - The Baltic Sea Coast of Germany«, (2019 – 22)
Live Performance:
24.06.2022
Location: ZKM Media Theatre
https://zkm.de/en/other/2022/06/nextgeneration-90-concerts-v-and-vi
haku sungho Solo Exhibition at SOMA ART SPACE BERLIN
"MONO / KOTO"
Opening 20.05.2022 19h - 22h
Opening Hours
Wed.-Sat. 16 - 19h 21. May - 17. June 2022
SOMA 700, Monumentenstr. 24, 10965 Berlin
EN
The two Japanese words mono and koto can be translated as thing. Mono refers to a physical object, while koto denotes an abstract concept.
At the center of the exhibition is the multimedia work Sway (2019 - ongoing), the product of artistic field research Haku Sungho conducted along German Baltic Sea shores. For the project, he collected HDPE (high density poly ethurene) from various beaches and processed it into blank record disks onto which recordings of the sound of the sea on the same beaches were imprinted. The resulting noise is played back over video recordings of the Baltic Sea. Display cases containing pieces of marine plastic, video documentation of the processing, and plate prototypes highlight the tension between these physical objects and the elusive historical and momentous fact of marine pollution. Sway encourages viewers to find a conceptual connection: Remembering as grasping, grasping as presence.
About the artist:
Haku Sungho (from Tokyo) lives and works as a musician and installation artist in Berlin. In his artistic practice he combines sound with physical works, for example in sound carriers or self-made instruments.
“Memories of the Future" brings together artistic positions that address the emergence of memory, contemporary and future forms of memory, and the relevance of memory for imagined futures. The project is funded by the Senate Department for Culture and Europe; the exhibition is kindly supported by the Geomar Helmholtz Centre for Ocean Research.
Curator: Nabi Nara
Live
MaerzMusik Festival 2022
https://www.berlinerfestspiele.de/en/berliner-festspiele/programm/bfs-gesamtprogramm/programmdetail_375062.html
A Garden of Forking Paths – Finale 3
Sunday, 27 March 2022
15:00—19:00 at Cashmere Radio
Tickets: €20 / reduced € 15
“A Garden of Forking Paths” opens a window of time into a relational field of sound sources – concerts, listening stations, sound installations – that connects pasts and presents from multiple places around the world. The art of field recording lies at the heart of the final weekend of MaerzMusik – Festival for Time Issues 2022. Under the continued impact of the pandemic, “A Garden of Forking Paths – Finale” takes the place of the festival’s closing event “The Long Now” and migrates into the urban space around Nettelbeckplatz in Berlin/Wedding.
Six locations, including Nettelbeckplatz itself, are simultaneously open on 26 and 27 March 2022 – a constellation of interconnected places to be visited with each relating differently to sounds from the world we inhabit. From electronic live performances of artists working with field recordings and sound installations to unaltered acoustic time capsules, and encounters of relocated sonic realities embedded in the soundscape of Wedding, this project moves into a sonic zone of acoustic ecology.
The Betonhalle at silent green, MaerzMusik’s festival hub, is its beating heart, offering live concerts by electronic artists working with field recordings; the octagonal space of silent green’s Kuppelhalle hosts sound installations to be immersed in; Atelier 2 of silent green becomes a listening station that gives space to a plurality of soundscape approaches considering their temporal situatedness; SAVVY Contemporary invites single listeners to encounter a one-on-one relation with sound; Nettelbeckplatz bears witness to sounds from entirely different realities in the world; and Cashmere Radio, finally, offers a place and a frequency in which these layers of sonic experience meet and flow together. We invite you to spend four hours floating and circulating within soundscapes on your own path.
“A Garden of Forking Paths” opens MaerzMusik 2022 at the Gropius Bau, and another closes the festival – an invitation to enter relational encounters through, in and with sound, space and time.
With
Francisco Antão (live)
Martyna Poznańska (live)
Haku Sungho (live)
Works by
AGF
Tarek Atoui
Chris Chafe & Greg Niemeyer
Peter Cusack
Carl Michael von Hausswolff
Jacob Kirkegaard
Gareth Lee
LIGO
Robin Mackay
Martyna Poznańska
Matthieu Saladin
Minoru Sato
Thomas Tilly
Chris Watson
u. a.
Master Exhibition
Lietzenburger Str 45, 3. floor, 10789 Berlin
Opening
13 January 2022 | 4 - 6 PM
Exhibition
14-15 January 2022 | 10 AM - 6 PM
16 January 2022 | 10 AM - 3 PM
artists:
Ånsgar, Elizabeth Davis, Kayla Elrod, Aleksander Filipiak, Francisco Riffo Gómez, ιи.fιиιт ∞, Farshad Khahehnassiri, Martin Moolhuijsen, Kim Wichera, and Haku Sungho
More info here: https://bit.ly/SoundS-M22
We
will be working with a COVID-hygiene concept for the public exhibition.
If you would like to attend, please check back here soon for more
details.
Sway -The Baltic Sea Coast of Germany-
Grants
Pola Art Foundation
Grants for Overseas Study by Young Artists : Apr. 2021-Mar. 2022
令和3年度 ポーラ美術振興財団在外研修員として ドイツにて研修
Debut Album 'The Farthest Creole'
OpenLab - ALBUM OF THE WEEK
"In ‘The Farthest Creole’ (Bedouin Records), Sungho presents a broad, considered artistic vision. This is an ambient album built from intricately programmed synthetic elements and carefully assembled found sound and field recordings. It’s mostly beatless and much of it is brooding, occasionally pastoral ambient that veers into industrial soundscapes and even psychedelic rock. It’s challenging but an album that is worth your time, one that delivers more with familiarity. "
"From moments of warm, intense stillness, to the raw, free associated
noise-fest of the final tracks, ‘The Farthest Creole’ is a clever album
and there is deftness, mastery and an artist’s well-developed send of
light and shade contained here. "
Essential Releases of bandcamp
"The Farthest Creole, his latest LP for Bedouin Records, a stunning record that, true to its name, communicates directly in a mixture of sonic languages."
"Just wonderful, from concept to execution."
–Jes Skolnik
New Release
The Farthest Creole / Haku Sungho 1st Full Album
22. Jan. 2021 Release from Bedouin Records
Pr-eorder of the limited Vinyl / Abyss of Fuzz from the Album is now available https://bedouinrecords.bandcamp.com/album/the-farthest-creole
Hong Kong Community Radio(HKCR)
Bedouin Records : Constantine Skourlis and Haku Sungho